In last week’s TPK newsletter, I asked for your calligraphy questions. The response was wonderful! Some readers had questions that I’ve never addressed, while others asked about topics that we haven’t revisited for a while. For today’s blog post, I pared the questions that I got down to five common requests! We’ll look at those…
I can’t seem to get the right amount (of ink) on the nib: either I have too much and it blobs onto the paper hideously or I have so little I can’t even finish one letter without it running dry. I’m quite frustrated as I can’t even get to the point of forming letters. – Chris D.
We all encounter ink issues at one point or another, and it’s natural to blame these problems on something you’re doing. However, the types of problems that Chris describes have more to do with the ink viscosity than the amount of ink on the nib! If you experience issues with your ink, try diluting it with water. Or, if you’d prefer to use a tried-and-true watery ink, try iron gall or walnut ink!
That’s not to say that you can’t have too much ink on your nib! It’s possible to overload it, for sure. Just follow a few rules of thumb and you’ll be fine: first, if you encounter the types of problems that Chris describes above, dilute your ink. Second, always dip your nib in ink to just above the nib’s reservoir. You can go lower than that, but never higher! Finally, give your nib a firm shake over your art water once you dip it in ink. This will encourage any excess ink to come right off!
I’m still stuck on various pen angles for different scripts. I have read all about the angle to hold one’s calligraphy pen for Italic or Gothic, etc., but I just don’t seem to get it. Also, when reading about angles, I’m never quite sure whether the writers are talking about the pen’s angle to the writing surface, or the nib’s angle, or both. – Felecia E.
This is a great question because pen angle trips a lot of people up! First of all, let’s talk about the angle of the pen to the paper. Beginners will find it easiest to hold the pen at an angle that’s fairly close to the paper; somewhere between 35° – 45° is appropriate! As you reach an intermediate level, you can experiment with holding your pen at more of a vertical angle (up to 70°). The larger the angle of the pen position in respect to the paper, the easier it is to make delicate upstrokes (and, unfortunately, the easier it is to catch the tip of the nib on the paper).
Now, let’s talk nib angles! In dip pen calligraphy, you must always hold your nib parallel to the slant that you want your calligraphy to have. Take a look at the photo of the Amy Style Calligraphy Worksheet above. You can see that Amy Style calligraphy has a vertical slant to it, so my nib has a 90° angle in respect to my calligraphy’s baseline. Now, let’s take a look at Janet Style calligraphy:
Janet Style calligraphy has a 55° slant to it, so your nib needs to be at that angle in respect to the calligraphy baseline. To be clear: your pen to paper angle should still be 35°-45°. But the aerial view angle of the nib in relation to the calligraphy baseline will be 55°. In short, the pen/paper and nib/baseline angles are two different and independent numbers! Your pen/paper angle will determine how easy it is to write and the thickness of your upstrokes/downstrokes. Your nib/baseline angle will determine your calligraphy’s slant.
Well, I’m stuck on the upstroke. I have such a heavy hand that, try as I might, the upstroke is nearly as thick as my downstroke. – Carol H. (and Gail B.)
First of all, don’t fret over thick upstrokes, especially if you’re just getting started with calligraphy! Nearly all beginners struggle with making delicate upstrokes. There are a few things you can do to help get those upstrokes nice and thin:
Finally, one huge thing to remember is to always apply balanced pressure to both tines of your nib. There should never be an instance in which you apply more pressure to the left tine versus the right or vice versa! If you do, you’ll find it very difficult to achieve stroke contrast. (If this concept doesn’t click, consider taking The Beginner’s Modern Calligraphy Online Course.)
I am confused about how and where to connect letters. In every calligraphy style I take on, there are some combinations that trip me up. – Kyle H.
My number one tip for letter connections is that you don’t have to connect at all! As long as your letters maintain a close proximity to one another, it will be clear that they’re part of the same word (see: “egg”, “Exxon”, above).
Letter connections really just boil down to experimentation. If you’re not sure how to connect letters, try a couple of different connection combinations on scrap paper! See what you like the best, and go with that.
I never know which ink to use for what project. Do you have any recommendations? – Donna L.
Ink is a very personal choice, so I encourage you to try anything you can get your hands on! Here is my list of favorites, but — of course — favorites vary from calligrapher to calligrapher:
Again, those are my favorites, but I encourage you to come up with your own list! There are so many inks available that it would be a shame to limit yourself to only a few!
These were just a few of the calligraphy questions I received, and I chose to address them because they were the most common! If you have additional calligraphy questions, please feel free to contribute them to the Comments section of this blog post. I’d be happy to address them!
Thanks very much for reading TPK, and have a wonderful weekend!
Warmly,
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