This month’s coffee date with Jess Greenleaf looked a little different than past sessions. Instead of focusing on one topic, we hosted a Q&A session! The questions led to a discussion that covered everything from the technical details of pigments to the age-old question of whether tracing is “cheating.”
I mentioned this photo, which shows a watercolor palette from Jess’ personal collection, in the discussion. Notice how Jess nested a seashell among her pans of pigment!
This chat was a good opportunity to go off the beaten path and follow your curiosity. We touched on topics like the best way to organize an ink collection and whether using salty water (or whiskey!) in your watercolors affects the final result. We also offered solutions to common problems, such as calligraphy nibs skipping and how to choose the right side of watercolor paper. The full recording is available to watch below:
When Artists Ask Questions
One of the best things about these creative coffee date sessions is how they follow the natural flow of a creative mind. We got to talk about everything from the historical use of shells as watercolor pans to innovative ways to store your ink collection. Jess had stories that were fascinating to hear, like how the Gamblin company uses rogue pigments from their air filtration system to make a color called “Torrit Gray”.
One attendee asked if Jess still offers butterfly-themed “paintable projects”. She does, and you can find them here!
The heart of the conversation was the questions we all deal with. We talked about how to tell which side of watercolor paper to use, and why distilled water can be a good choice for your inks. We also discussed the frustrating problem of a skipping calligraphy nib, and shared viscosity tips for watercolors and inks.
Ink that’s too thick can cause irregular, “skipping” upstrokes. (In that case, simply dilute it with water!)
Lessons from this Chat
It’s validating to hear other artists ask the same questions you’ve been wondering about. This chat was a good reminder that everyone, regardless of skill level, faces similar challenges. The conversation reinforced some key takeaways about a healthy creative practice:
Your system doesn’t need to be perfect. It’s okay if your system for storing inks or other supplies isn’t a Pinterest-perfect display. What matters is whether it works for you.
It’s okay to experiment. We talked about artists who use whiskey or red wine in their watercolors. Jess even mentioned that some watercolorists tote vodka (for painting, not drinking) to deal with freezing temperatures.
The tools are just one part of the equation. We tackled a philosophical question about whether tracing is “cheating”. Ultimately, we concluded that it’s a valuable tool that can save time and allow you to focus on other parts of a project.
Our conclusion about tracing? In general, it’s a valuable time-saving technique. You can learn more about whether a light box might be useful to you in this article.
What made this creative chat especially fun wasn’t just the topics; it was the people. These monthly calls are a great chance to share, brainstorm, and learn from each other. I left the conversation feeling inspired and energized, and I’m already looking forward to our next chat. We’ll pick up where we left off, so be sure to bring your questions. Thanks so much for reading (and watching!), and have a lovely rest of your day.
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